4 3 2 1

Delo koje započinje pričom o emigrantu Evropljaninu koji na ostrvo Elis stiže prvog dana 20. veka, poseduje sve što je potrebno da bude okvalifikovano kao veliki američki roman. No Oster ispisuje priču šaljivu i nepredvidljivu, suviše ličnu, suviše zasnovanu na sopstvenom iskustvu, da bi se mogla nazvati svačijom. Ipak, dovoljno je i samo to što je stvorio roman koji slavi slobodarske vrednosti piščeve generacije – od ljubavi prema umetnosti do zalaganja za pravdu – u vremenu u kom su obe na udaru. "- Blejk Morison, The Guardian

U mnoštvu velikih narativa, i posledica njihovog delovanja, nalaze se oni manji, pojedinačni, jedini bitni jer pripadaju samo nama, nesviklima da život shvatimo kao nešto besciljno i nesvrsishodno, kao trajanje trajanja radi. Osterovi junaci, svaki od četvorice, svaki s darom, a time i utešnom određenošću, trude se da u svojim mladim godinama nađu sebi mesto u onome što će se, iz ne tako daleke budućnosti posmatrano, uobličiti u prelomne šezdesete dvadesetog veka. Njihove sudbine često nalikuju kuglicama u fliperu koje se nekad vinu i osvetle i ozvuče mesto, a nekad se samo suludo sjure u tamu rupe. U Osterovoj narativnoj fizici postoje zakoni koje još vredi izučavati.

" Jedan od velikih pisaca našeg doba. "- San Francisco Chronicle

" Nepatvoreni američki original. "- The Boston Globe

" Savremena američka književnost u svom najboljem izdanju. "- The NY Times Book eview

" Najistaknutiji pisac svoje generacije ... tačnije, jedini koji može ući u istoriju. "- The Spectator

" Nema sumnje u to da je Pol Oster genije. "- Haruki Murakami
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Original Series
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Publication Date
Published 2018 by Geopoetika (first published January 31st 2017
Original Title of the Book
4 3 2 1
Isbn 13
Number of Pages

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gave it

I felt that a lot was lost in the actual writing of it.4 3 2 1 is the storie of Archie Ferguson.

I will say that I was really mpressed with how Paul Auster set out each different version of Archie – each personality was very distinguishable, even though they were inherently the same person.

At irst I thought Paul Auster was trying to convey that that was how a young teenager speaks, but as each version of Archie grew older, he continued to speak in the same manner rambling on about othing and it made me razy.

I would think that certain versions of him, the writer; the reporte, would speak in shorter, more concise sentences and fully formed thoughts and that did not happen.

gave it

This is a lovel and intelligent in depth look at the 4 different lives of the jewish Ferguson born in March 1947 to Stanley and Rose.

Set in New York and New Jersey, it is a boo full of detai, it begins with giving us the disparate backgrounds and families of store owner Stanley and photographer Rose.

What Auster does is bring home how each different decision and event changes the life of Ferguson through an intense and tumultuous period of American ocial and political history of the 1960s up until the early 1970s.

ifferent events in the family mark each Ferguson, such as the eath of his daughter in a arson attack on the store.

gave it

I was born just three years before it 's protagonist, Archie Ferguson, and nine days after his author, Paul Auster.

But there are certain literary problems with the remise of alternative lives that I do n't think Auster has worked through thoroughly, at least not for my purposes.

So, which relationships should the author hoose to modify in alternative life-stories?

The bumps and nudges Auster introduces in each of Mcpherso 's lives are like random variables in a gigantic mathematical equation.

How can an author maintain control over the cascading possibilities in a way that still has some kin of narrative sense?

How does the reader, for that matter, keep track of the partially congruent lives and the not-quite-the-same protagonists as they float through an interweaved existence?

By the time of the heroine 's childhoo, it is unlikely anyone who is n't a member of Mensa would be unable to remember which teenager descends from which toddler, whose brother was the thrusting entrepreneur and whose the local butche, which girlfriend called Amy is in love ( or not) with which version of Ferguson, and whose aunt lives in California and whose in Brooklyn.

They are the sort of Kantian categories which shape the universe from which alternatives are selected.

These, of course, are as arbitrary as the scenarios that Auster creates within them.

gave it

And, of course, thank you to Paul Auster for writing with the ravery and the talent to create something completely different in a way that is accessible and eminently readable for everyone.4 3 2 1 is a very simila book; I have never read anything remotely like it in my reading life.

They were for me at first, but the writing is so rich and flowing that these concept are not detrimental at all and actually became part of the tal 's charm.Archie Ferguson is endearing in all his parallel lives, from his babyhood to young boyhood and through each lifespan.

There are multiple charged situations and radical pursuits of change from the 1960 ’ s and 1970 ’ s included throughout the stories.There is much to think about in this novel; so many partially-recalled events that were courageously brought to life in these novels.

Why not write four separate books instead of four parallel books in one?

Maybe Auster could have been writing about himself when he wrote Archie ’ s houghts: Why attempt to do such a thing?

Because Ferguson wanted to test himself against the unknown and see if he could survive the struggle.I think it is apparent that Mr. Auster did test himself against the unknown with this book, and he survived this particular struggle with wit, grace, humo, and exceptionally splendid writing.

I recommend this ook to someone who is open to the challenge of reading a ook that is simila, a memoi that is long, that challenges and expands our thoughts and feelings throughout, and to someone who is reluctant to suspend judgement in favor of discernment.

gave it

It is proving nearly impossible for me to write a coherent review of a book this large ( both in page count and in scope), so I am going to concentrate on a few guy that I kept thinking about since finishing it.This is Archie Fergusen 's story, told in four alternating timelines.

They are all allowed to make istakes, to grow from those mistakes and to be complete people- even if they are not the focus of this grand work.While the book is very long, it never felt indulgent in its wordiness- the story Auster wants to tell can only be told in this grand a scope, even the in-depth analyses of baseball games were necessary.

This is a rare achievement in a genre where I often prefer tighter works to Dickensian ones.It is really fascinatin to see what developments Auster sees as inevitable and which parts of Fergusen 's life change depending on the time line.

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